Elliot Kupferberg Peter Bogdanovich. Once again discussing the dream in therapy, this time she sees Tony as someone who cares for her, and would be willing to do anything in his power to help her. Unlike Tony, however, Dr. Melfi struggles with the right and wrong of the situation and ends up leaving her vague idea of vengeance where she discovered it — in her dreams.
This goes back to one of the first things Tony ever revealed to Dr. Tony Lip. He criticizes Tony for the decisions he has made in life, ones that lead him to a life of organized crime. Tony asserts his leadership role before attempting to kill him, only to find his bullets crumbling into nothing, making it a pitch-perfect anxiety dream we can all relate to. Speaking of Tony being unhappy with how his life turned out, the two episodes we spend with him in a coma after getting shot by Junior reveals a whole new side to the character — Tony Soprano, Jersey accent-free traveling salesman.
For a little while, which is a pretty clear statement on the half-life of real change, if you think about it. Tony lies to everyone habitually, including Dr. Melfi, so the sudden embrace of his vile contempt for his late nephew Christopher — whom he killed — gets aired out in his dream.
He is frequently visited by the deceased, who complain about the afterlife, or beckon from beyond. The dead might walk around with a gory bullet hole on their forehead. The symbolism often revolves around his therapist Dr.
He walks past things that are moving at different speeds than him, and we hear exaggerated squeaking sounds that could be the creaky boardwalk under his feet or surreal seagull squawks. All of these dream details feel realistic to what actual dreams look and feel like. In one of the first scenes, the camera lingers on a large fish being delivered to a table at restaurant where Tony is eating. The last shot of the episode is a shot of crashing waves. Recommended Sopranos costume designer Juliet Polcsa talks Tony's shirts.
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